詳細(xì)介紹：哈塞，漢約（Hasse，Hannjo1921～1983）德意志民主共和國戲劇、電影演員。 生于德國波恩。當(dāng)過工人和辦事員，后在柏林接受表演訓(xùn)練。第二次世界大 戰(zhàn)…哈塞，漢約（Hasse，Hannjo1921～1983）德意志民主共和國戲劇、電影演員。 生于德國波恩。當(dāng)過工人和辦事員，后在柏林接受表演訓(xùn)練。第二次世界大 戰(zhàn)后復(fù)員，又在魏瑪學(xué)了一年表演，之后走上舞臺(tái)。先在布格劇院演出，后 在波茨坦的漢斯—奧托劇院當(dāng)了幾年演員，以后又到柏林的人民舞臺(tái)和德國 劇院參加演出。目前是德發(fā)電影制片廠所屬演員劇團(tuán)的成員。他在銀幕上主 要扮演反面角色，在影片《格萊維茨事件》（1961）、《最高原則》（1959， 捷克斯洛伐克）和《午夜彌撒》（1962，捷克斯洛伐克）中的演出獲得很高 評(píng)價(jià)。他曾獲得民主德國的藝術(shù)獎(jiǎng)。他演出的主要影片還有：《臣仆》（1951）、《臺(tái)爾曼傳》（上下集，1954—1955）、《科隆上尉》（1956）、《星》（1959，與保加利亞合拍）、《天良發(fā)現(xiàn)》（1961，電視片）、《號(hào)手之歌》（1964）、《木板上的姑娘》（1967）、《被竊取的戰(zhàn)斗》（1972，捷克斯洛伐克）、《火焰》（1975， 蘇聯(lián)）、《前線后的戰(zhàn)線》（1978，蘇聯(lián)）、《建筑大王》（1980）等Hasse began studying acting in 1938, and attended Lily Ackermann's Institute for Stage Artists' Education in Berlin. At 1941, he was drafted for the Labour Service, and later to the Army. After the end of the Second World War and his release from captivity, Hasse returned to Weimar, where he spent another six months to complete his drama training.[1] He made his debut on stage in the Nordhausen Theater, where he was also employed as a dramaturgue. Later, he also worked in theaters in Eisleben, Burg bei Magdeburg and Schwerin, before settling in the Hans Otto Theater in Leipzig, in which he was a member of the regular cast between 1954 to 1962. Afterwards, he moved to Berlin's Volksbühne, and then to the Deutsches Theater. Hasse played a wide range of supporting characters, from Malvolio to the Fledermaus.[2] Hasse made his first appearance on screen already during 1951, playing a minor role in Der Untertan. From the late 1950s, he focused mainly on cinema and television work. Although his earlier stage roles were mostly comical in nature, he depicted sinister characters almost solely: Renate Seydel, who interviewed him in 1966, commented that he was the most perennial villain in the actors' cast of DEFA and Deutscher Fernsehfunk. He portrayed greedy pioneers who seek to disposses Native Americans in many of East Germany's Red Western pictures. He is also remembered for depicting von Dietrich in the Yugoslav partisan film Walter Defends Sarajevo. In addition to those entertainment films, he also portrayed historical antagonists in several bleaker pictures dealing with recent past, like Alfred Naujocks in The Gleiwitz Case and Adolf Eichmann in the 1966 Lebende Ware - based on the blood for goods affair. Hasse told Seydel that he considered those roles as having educational value, in order to "demonstrate the full horror of Fascism" to younger viewers.[3] Hasse was awarded the Art Prize of the German Democratic Republic on 7 May 1971.[4] He is buried in the Südwestkirchhof Stahnsdorf. 1951: Der Untertan 1954: Gefährliche Fracht 1954: Ernst Thälmann - Sohn seiner Klasse 1955: Ham wa nich! 1959: Kabale und Liebe 1959: Sterne 1959: Bevor der Blitz einschlägt 1960: Vyšší princip 1961: Der Fall Gleiwitz 1961: Gewissen in Aufruhr (TV) 1962: Freispruch mangels Beweises 1962: Nebel 1963: Reserviert für den Tod 1963: An französischen Kaminen 1964: Das Lied vom Trompeter 1966: Die Söhne der großen Bärin 1966: Lebende Ware 1966: Schwarze Panther 1967: Die gefrorenen Blitze 1967: Das Mädchen auf dem Brett 1968: Spur des Falken 1968: Nebelnacht 1969: Mohr und die Raben von London 1969: Tödlicher Irrtum 1969: Befreiung 1971: KLK Calling PTZ - The Red Orchestra 1972: Valter brani Sarajevo 1973: Unterm Birnbaum 1973: Die Hosen des Ritters von Bredow 1973: Copernicus 1974: Ulzana 1974: Das Geheimnis des Ödipus 1974: Kit & Co 1974: Wie füttert man einen Esel 1974: Zum Beispiel Josef 1976: Das unsichtbare Visier 1977: Wer reißt denn gleich vor’m Teufel aus 1977: Auftrag - Überleben 1980: Levins Mühle 1980: Archiv des Todes (TV) 1980: Der Baulöwe 1981: Peters Jugend 1983: Martin Luther詳情